Ethan DePuy, as Blanche’s brother, had a strong voice and was very affective emotionally.
— The Buffalo News

Praised for his “masterful acting” and “fine singing,” American tenor Ethan DePuy brings his unique dramatic style to works ranging from the Baroque era to now.

DePuy trained as a young artist at the Chautauqua Opera Company, where he was a recipient of the Young Artist Encouragement Award. His list of credits includes Nemorino in L’elisir d’amore, Peter Quint in The Turn of the Screw, Alfred in Die Fledermaus, the title role in Albert Herring, Don Basilio in Le nozze di Figaro, Jaquino in Fidelio, King Kaspar in Amahl and the Night Visitors, Chevalier de la Force in Dialogues of the Carmelites, and Motel the Tailor in Fiddler on the Roof.

Mr. DePuy has also established himself as a presence on the concert stage, where highlights of recent seasons include performances of Bach’s St. Matthew Passion and Easter Oratorio, Handel’s Israel in Egypt, Mozart’s Requiem, Solemn Vespers, and Coronation Mass, Schubert’s Mass in G, Haydn’s Seven Last Words, Rachmaninoff’s All Night Vigil, Stravinsky’s Mass, Buxtehude’s Membra Jesu Nostri, and the Evangelist in Bach’s Christmas Oratorio.

A native of Rochester, NY, Ethan earned degrees in voice and opera performance from SUNY Fredonia and Arizona State University.

Ethan DePuy played a flamboyantly charming King Kaspar... His voice had a lovely light lyric timbre in the top.
— The Boston Musical Intelligencer

Available now on the BMOP/sound label.

Ethan performs at tenor soloist on this CD release from the Boston Modern Orchestra Project.

A quick word of praise for Ethan DePuy, a very young man singing the role of the elderly Dr. Caius, and doing some masterful acting as well as fine singing.
— The Post Journal
...provided stunning vocal interludes that thrilled throughout the evening.
— The Mount Desert Islander
When the evil Peter Quint (Ethan DePuy) appeared, I got a chill. He and the ghost of Miss Jessel looked ghoulish, and projected it in their voices, too.
— The Buffalo News